Practising

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Learning Pieces


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Practice Tools


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Selection

An Overview of the Practice Tools

This series of articles serves as an introduction to Graham Fitch’s practice tools, including how to approach a new piece and the Three Ss.... Read >>


Graham Fitch Practising

Skeleton Practice

This series of articles will describe how to deconstruct a score and use skeleton practice by way of a number of examples. New articles and examples will be added on an ongoing basis therefore please do watch this space!... Read >>


Graham Fitch Practising

Mastering Polyrhythms

A polyrhythm (sometimes referred to as a cross rhythm) is the effect produced when two conflicting rhythms are played together and can prove very challenging indeed! This series of articles will help you tackle them in various ratios, starting with the simplest: two-against-three (2:3) or three-against-two (3:2).... Read >>


Graham Fitch Practising

From the Ground Up

From the Ground Up is a series devoted to learning individual pieces using outlines and reduced scores that help you to practise more effectively, memorize more consciously, and interpret music more creatively.... Read >>


Ken Johansen Practising

The Practice Tools Lecture Series

Without an understanding how to approach practising the piano, day-to-day practice can often be unfocussed and unproductive. In this series of video lectures, I identify and explore various practice tools that will help pianists of any level get the most out of their time spent practising.... Read >>


Graham Fitch Practising

The Practice Stepladder

Learning a complex piece each hand alone before putting the hands together is a strategy favoured by the majority of piano teachers. While it is of course possible to practise a fugue hands separately, this misses the point. Rather than working hands separately, I advocate strands separately (playing each line of counterpoint by itself) before combining the voices in pairs. Time consuming? Yes, but well worth it, as you will discover! The following is the process for a 3-voice fugue: First, practise each voice alone with the fingering and the articulation you will end up using to the end... Read >>


Graham Fitch Practising

Warm-Ups Revisited

A Body / Mind Approach

In this two-part video lecture, William Westney re-thinks warm-ups and demonstrates an effortless process that takes only a few minutes to ensure successful daily practice.... Read >>


William Westney Practising

Practising for Long-Term Results

In this video, William Westney demonstrates a remarkably easy technique for mind and body to truly “digest” (and remember) what we’ve practised.... Read >>


William Westney Practising

How to Learn a New Piece

In this video series Graham Fitch shows how to lay strong foundations from the outset when learning a new piece. The videos feature numerous examples from the ABRSM syllabus covering such topics as background research, analysis, fingering, interpretation and practice methods.... Read >>


Graham Fitch Practising